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One was the aforementioned K2-SO, he had some of the best comedic lines in the movie. That kind of ruins the "suspense" of what happens during the big finish at the end, you know? And don't even get me started on Forrest Whitaker's character or his lackluster performance.įor me, there were only two characters that redeemed the 2 hours I wasted at the theater. I never was invested emotionally in ANY of them, other than K2-SO (he was the best part of this movie, upstaged by only one other), and I didn't really care what happened to them. However, the characters are all flat, lifeless, and cliche, with little development during the movie.
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Telling the story of those who obtained the plans was rather dull, despite plenty of explosions and action scenes.įrom a technical standpoint, the movie was very well done.special effects are top notch, and we are treated to some spectacular space and ground battles. We already knew the rebels obtained the plans at a great price. We all know how the movie 's where "Episode IV" begins. The biggest problem is that this movie really didn't need to be told in the first place.
No, it didn't have Jedi.but they substituted "force users" for the Jedi anyway. Starring: Felicity Jones, Diego Luna, Ben Mendelsohnīut I thought this movie was pretty bad.
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A separate disc of extras sadly lacks substance, with not even a mention of the major changes undertaken after principal photography was completed.Ī Disney Movies Anywhere code allows playback of the film on all major digital platforms.
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The main disc is gloriously free of previews. I was also struck by how much of the feel of a Star Wars film comes from John Williams’ score: Rogue One’s music, composed at the eleventh hour by Michael Giacchino, pays homage to Williams’ themes but does not stand on its own. When an AT-AT looms over you, it should sound that way, not like it’s merely in front of you. But this movie badly needed a home version of the theatrical Dolby Atmos track, with wider dynamic range, more precisely placed sound effects, and generous use of height speakers during battle scenes. Explosions-and there are a lot of them-shook my house. There’s nothing technically wrong with the sound: The DTS-HD mix is clean and directional. It’s an astonishing technical feat, but the character doesn’t look fully human. The image is so sharp that the digital FX used to bring Peter Cushing back from the dead to play Grand Moff Tarkin are clearly visible. On my 106-inch screen, you could count individual blades of grass on a farm and see the faint raindrops on a character’s uniform, a detail I missed when I saw the movie in the theater. Blacks are black, and shadows have good detail. There’s no artificial film grain, but it does not look like video. The movie was shot on handheld digital cameras to follow the action closely and provide a war-film look, but this does not affect image quality. (A retailer-exclusive 3D version is also available.) Fortunately, it looks stunning.
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Disney does not support 4K UHD yet, so the best home version is 1080p Blu-ray. Rogue One was exhibited at Dolby Cinemas, so a version in 4K with HDR is certainly possible. If you’re looking for a jaunty kiddie flick, try a different Disney movie. However, the movie is anchored by the serious theme of sacrifice.

Wisecracking droid K-2SO in particular is terrific.

There’s plenty of plot-driven action, minimal character development, and ample fan service. The opening scroll of the original Star Wars states, “Rebel spaceships, striking from a hidden base, have won their first victory against the evil Galactic Empire.” If you ever thought, “Hey, I’d like to see a movie version of those 17 words,” Rogue One is for you.
